Sound Design

 
 
Sam Kaseta’s sound design and musical composition [are] picture-perfect, enhancing the storyline with doses of enchantment.
— Monica Charline Brown, Theater Pizzazz (Glassheart)
Best is the sound design by Sam Kaseta, which makes the [settings] real.
— Victor Gluck, theaterscene.net (The Karpovsky Variations)

Excerpts from “The Dog Show,” written by Ivan Faute, directed by Christina Ashby (The Players’ Theater, 2023), featuring violin by Michael Genese

 

EXPERIENCE:

Marta Nesspek Presents… by Kate Pressman, dir. Logan Reed (Twitch, 2022; live, 2024)

The Dog Show by Ivan Faute, dir. Christina Ashby (The Players Theater, Jan. 2023)

The Karpovsky Variations by Adam Kraar, dir. Tasha Gordon-Solmon (A.R.T. N.Y., May 2022)

GASH THEATRE gets GHOSTED by Nathalie Ellis-Einhorn and Maddie Flint (Camden People’s Theatre, April 2021)

What Remains by Beatrice Antonie Martino (NYU, March 2020)

Excerpt from "The Yellow Wallpaper," adapted and directed by Andrew Watkins (IRT, Oct. 2019) featuring the voice of Sam Morales and violin by Yaz Lancaster

 

The Yellow Wallpaper adapted and directed by Andrew Watkins (IRT, Oct. 2019)

SCUM adapted by Nathalie Ellis-Einhorn, et al., dir. Daniella Caggiano (Dixon Place, Dec. 2017, Sitting Shotgun Theater Company, Feb. 2019, The Brick, July 2019)

Dreamers Often Lie by Lukas Pappenfusscline, dir. Nick O’Leary (The Brick, Aug. 2018)

Nectar by Katie Baldwin Eng, dir. Christina Roussos (Axial Theater, Nov. 2017)

Glassheart by Reina Hardy, dir. Anaïs Koivisto (Everyday Inferno, Access Theater, Oct. 2017)

Ends of the Earth by Lia Romeo, dir. Tasha Gordon-Solmon (Inviolet Theater Co., Jun. 2017)

Tires by Matthew Major, dir. Emma McMullin-Major (The Tank, Apr. 2017, Hudson Guild Theater, Sep. 2017)

Heathens by Sam Kaseta, dir. Sam Kaseta (The Tank, Mar. 2017)

Security by Sam Kaseta, dir. Sam Kaseta (The Tank, July 2016)